The practice began back when 78 RPM records were still the primary format. Well into the 1940s and 50s, it was not uncommon to have up to half-a-dozen versions of a song by a slew of artists on the Billboard chart at the same time.Īs the soundalikes industry grew, more knockoffs began to appear. Keep in mind that this is a very old game. This practice doesn’t exist solely for the benefit of shady record producers or production companies working in the margins of the music eco system looking to make a easy money from a pre-existing hit. Sharp listeners may notice a difference within a few seconds, but many consumers won’t. The whole goal is to duplicate the original song in every respect, using studio musicians and vocalists, in an effort to lure consumers into listening and buying these recordings. Soundalikes are a completely mercenary venture. These remakes aren’t motivated by artistry, but by money. They’re remakes-“cover songs” in the parlance of the music business-except they’re not interpretations or creative variations of the original, but carbon copies - "Soundalikes". By the 1920s, 10” records were virtually all three minutes or under. Initially, these brittle discs were limited to about two minutes of playing time. The reason pop songs were so short, early on at least, stems from the fact that when 78 rpm were the standard records for pop music, there was a limit to what could physically be put onto a shellac record. The 78 comes in two sizes: the most popular and recognizable is a 10-inch that holds three minutes of music and a 12-inch that holds four. The 78 disc severely limits the length that a song can be, because only so much music can fit onto the disc. It's called that because the record spins at 78 revolutions per minute. The 78 RPM RecordĪ flat record made between 1858 and the late 1950s is called a "78" by vinyl enthusiasts and collectors.
These three-dimensional grooves cut in the vinyl record are a recording of how the sound waves behave as they move through the air. The concept of loudness and waves are essential to understanding why the groves you can see on a vinyl record are actually sound waves or more like a type of fingerprint of the sound waves captured in a lacquer disc that we call a vinyl record. A really key concept here is that the bigger the vibrations the louder the sound. Your ear detects sound waves when vibrating air particles cause your eardrum to vibrate.
The waves transfer energy from the source of the sound out to its surroundings. Sounds are produced by vibrations and travel through the air as waves, which are vibrating particles. The OHA, according to their latest information, says 8 in 10 Oregonians have received at least one dose of a COVID vaccine.Īccording to OHA and other data, Oregon ranks 19th in the nation in vaccination rates.To understand the genius behind vinyl you first need to remember the basic of physics' classes we took in High School about how sound waves work. So when the Civil War football game happens between Oregon and Oregon State, for example, people won't be required to wear them.Ĭlaiming masks do offer protection, OHA officials say indoor masks are still required. Oregon Health Authority (OHA) officials say people can continue to wear them if they wish, but outdoor spaces are no longer covered. Since August, because of what the state claimed was elevated COVID activity, especially related to the Delta variant, people in 'crowded' areas had to wear masks. That mandate has been lifted, say Oregon officials as of Wednesday Nov. But for a number of months, Oregon's actually had a mask requirement for what the state considered to be "crowded" outdoor events.